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Publications
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Peer-Reviewed Conference Proceedings
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2016
“Balancing Defiance and Cooperation: The Design and Human Critique of a Virtual Free Improviser.” Proceedings of the International Computer Music Conference. Utrecht.
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2012
“Maxine’s Turing Test: A Player-Program as Co-Ethnographer of Socio-Aesthetic Interaction in Improvised Music.” 1st International Workshop on Musical MetaCreation. Proceedings of the Artificial Intelligence and Interactive Digital Entertainment Conference. Stanford University.
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Chapters in Edited Volumes
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submitted
“Silence in Interactions between Performers of Free Improvisation.” Making Music Together: Analytical Perspectives on Musical Interaction. ed. Garrett Michaelsen and Chris Stover. University of Chicago Press.
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forthcoming
“Exploiting AI in the Renewal of Ethnographic Field Methods for Phenomenological Ethnography.” Oxford Handbook of Phenomenological Ethnomusicology. ed. Harris Berger and Kati Szego. Oxford University Press.
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2018
“De-Instrumentalizing HCI: Social Psychology, Rapport Formation, and Interactions with Artificial Social Agents.” New Directions in 3rd Wave Human-Computer Interaction. ed. Michael Filimowicz and Veronika Tzankova. Springer.
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Other Writing and Interviews
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2019
“Feeling Like an Agent.” Array: Journal of the International Computer Music Association. Fall 2019. Special Issue on Agency. ed. Rama Gottfried and Miriam Akkerman.
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2019
with Juliana Friend. “Programming Improvisation.” Visual and New Media Review. Society for Cultural Anthropology. August 19. Series: Article, Interview, and Commentary.
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2010
“Maxine Banerji: The Mutually Beneficial Practices of Youth Development and Interactive Systems Development.” eContact! Journal of the Canadian Electroacoustic Community 12 no. 3.
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Dissertation​
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2018
“Phenomenologies of Egalitarianism in Free Improvisation: A Virtual Performer Meets its Critics.”
Committee: Benjamin Brinner (chair), George E. Lewis, T. Carlis Roberts, Abigail de Kosnik
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